Features, some about bugs
Favorite Thing Ever is about things that are most excellent, so I won’t go into detail about Vancouver’s local newspapers and their general lack of decently-written anything. (I took a poke at them in “The Cage” and that’s plenty.) I will say, though, that one thing that’s not in abundant supply, locally, is high-end, in-depth feature writing.
A well-written, carefully researched article about almost anything can be as much a decadent luxury, in my opinion, as a good piece of chocolate or a day at the spa. It’s mind candy–seductive yet nutritious, and well worth savoring. Check out this cunningly constructed paragraph from “If you Knew Sushi,” by Nick Tosches, which appeared in the June 2007 Vanity Fair:
The difference between a bad sushi joint and a good sushi joint is: at a good sushi joint the sweetness of the sushi doesn’t challenge the taste of the fish. The difference between a good sushi joint and a very good sushi joint is: at a very good sushi joint the sweetness of the sushi doesn’t challenge the taste of the fish, and the fish is very good. The difference between a very good sushi joint and a great sushi joint is: at a great sushi joint the sweetness of the sushi doesn’t challenge the taste of the fish, the fish is excellent, and, piece after piece — sushi should never be served more than one piece at a time; each piece should come freshly made directly from the chef’s hands to you — the meal unfolds in a concert of many varied tastes, some delicate and some strong, all in a sequence of subtle harmony and balance that leaves you exquisitely satisfied…
I could probably go on about this particular passage, and the way it builds both in emotional intensity and line-by-line complexity, for an entire entry. Instead, let me tell you about some of my favorite sources of feature writing:
Texas Monthly: Pamela Coloff writes amazing true crime feature articles. She is interested in miscarriages of justice, institutionalized racism and unsolved crimes, and she researches all of her pieces meticulously. Her stomping ground is Texas, and I would probably never have learned any of this except that we have a friend in common who mentioned one of her pieces. I read, I liked, and suddenly I was hooked. Since that time, this friend’s punishment for turning me onto Coloff has been that she has obliged to ship me her articles whenever they appear in Texas Monthly
.
Not surprisingly, when you’re begging your best bud in Austin to ship you a pulp brick or three every year, it seems only fair to read the whole magazine. And the excellent crime writing is just part of a package, because Texas Monthly has consistently fantastic articles. The Lone Star State is big enough to support a nicely varied culture, and there’s a lot going on there. It’s different from life in B.C.–heck, it’s practically an exotic foreign culture. Check it out.
Best American Manythings: Who has time to wade through all the articles everywhere? Not me! Not you, either! So every year, as soon as it comes out, I buy The Best American Science and Nature Writing. Why pick up a hundred magazines when talented in-the-know science writers can pick out the best for you, after all? The mix is different each year, in accordance with the passions of each year’s guest editor, but it’s always mind-blowing stuff. This year, there’s an article about an experiment where scientists glued stilts to ants. Eeeee! In all honesty, I think this book should be required reading for SF writers.
And if science isn’t so much your bag,there’s The Best American Crime Reporting 2009, The Best American Essays
, there’s short stories, there’s funny things, and all sorts of handpicked Best American stuff.
The Interwebs: If you’re willing to put your e-reader in a zippable baggie before getting in the tub, or possibly even read these articles in a slightly less luxurious, non-bubble-bath context, there’s Salon, The Atlantic, and Scientific American… just to get you started.
At its best, good feature writing entertains and enlightens; it enriches its audience every bit as much as a trip to the Louvre. Good writing about real stuff: it’s crazy, but you just might like it.

It always amazes me how engrossed I get in a good feature story, particularly when it’s about something I had no idea was so interesting. It’s like the world just opens up and and reminds you that there are a billion little stories you never even imagined happening all over it, every day.
Fiction writers of all stripes could learn a thing or two from good feature writing, I’ll tell you what.
I agree–the excitement about the topic just shines through sometimes, and you find yourself so interested in something you never would have suspected had any allure at all.
I remember reading about twin studies in a New Yorker article – MIND BLOWING and I was totally enraptured, man.
Good writing is the best crack ever.